Kerr
Grabowski
Deconstructed Screen Printing - Intuition, Accident, and
Technique
June 22-28
Course
Description:
Explore
a different facet of screen printing on fabric: the unpredictable, the
intuitive, the “happy accident”. Using
fiber reactive dyes, deconstructed printing, discharge, and polychromatic
printing, experiment with the silkscreen as a painting and monoprinting
tool to create fabrics of depth, texture, and personal imagery. The resulting
fabric may be used as an end in itself or a point of departure for further
embellishment.
No screen printing experience is necessary; some experience with fiber reactive dyes is helpful but not necessary.
Biography:
Known for her innovative approaches to dyeing and screening processes, Kerr
Grabowski integrates her love of color, mark-making, and spontaneity with
the challenge of creating one-of-a-kind, limited-edition, hand-painted/screened
silk fabrics and art wear. Kerr is the developer of Deconstructed Screen
Printing, a printing/monoprint technique allowing for a freer, more painterly
approach to screen printing.
Formerly from Mississippi, Kerr moved to New Jersey as Artist in Residence
at Peters Valley Craft Center. She now maintains a studio in Sussex, NJ and
Pass Christian, Mississippi. In addition to her studio work, Kerr is currently
working with the Monteverde Institute in Costa Rica to organize workshops
and volunteers to work with local women of the area. A New Jersey Council
on the Arts Fellowship recipient, Kerr has been published in Ornament, Fiber
Arts, Surface Design Journal, Fiber Arts Design Book Six, and Silk Painting
for Fashion and Fine Art. Kerr exhibits and teaches surface design, color,
and design workshops internationally.
For more information please visit www.kerrgrabowski.com
Artist's
Statement:
Marks - textures, lines, images, and symbols- have always been my way of
relating to and interpreting the world. My work in textiles and clothing
stems from my Mississippi background and an interest in all cultures where
art is an integral part of daily life - where mark making is a natural
activity, a part of the celebration of being.
One of the challenges of creating wearable pieces is that of leaving aesthetic space for the future wearer, allowing them to bring the work to completion, to give it life. It's a thrill to see the owners of my clothing - to know who helped complete the idea.
Supply List for participants to bring from home:
- Fabric—5 to 10 yd –in 1/2 to 2yd lengths—up to you. white or light colored silk, rayon, cotton, linen, silk/rayon velvet (protein or cellulose for fiber reactive dyes)
- NO PERMA PRESS OR BLENDS.
- NOTE-I do not recommend bleached muslin-does not always take dye well--unbleached is ok. You might also want to try preprinted fabrics-commercially printed or those of your own.
We will do dye tests the first day on any questionable fabric.
Prewash your fabric in hot water to remove any sizing or dirt--smooth ,evenly woven fabrics show more detailed textures while rougher or more loosly woven will not be as subtle--plan to try both. In addition to the above, feel free to bring your own predyed fabrics to experiment with.
WE WILL BE SODA SOAKING OUR FABRICS – One yd of soda soaked fabric will be supplied
PLEASE PREPARE AT LEAST ONE YARD OF FABRIC PRIOR TO WORKSHOP
Instructions for Soda Soaking to prepare fabric
After washing in hot water to remove sizing or oils, soak damp fabric in
9 Tablespoons soda ash (sodium carbonate) to one gallon warm water for
about 15 minutes. Stir occasionally.
Remove, wring out and hang to dry.
Soda ash can be purchased at Dharma Trading (www.dharmatrading.com) or Pro Chemical (www.prochemical.com)
If you are working with silk, it is OK to soda soak a few days prior to workshop.
If you normally use the soda soak method to prepare your fabric feel free to do whatever has been working for you if different from directions given above.
While this workshop is geared primarily towards fabric, the dyes and processes
also work extremely well on good rag printmaking papers that are lightly
or unsized--see OPTIONAL at bottom of list
- Rubber gloves (disposable OK)
- Glue stick
- Pencil
- Sketch pad-newsprint is fine-at least 9 x 12
- Notebook for handouts, samples, sketches or a journal--
- Roll masking tape-any width
- Small container India ink
- Inexpensive pack color markers (crayola 24 pack is fine)
- T-pins -more than 80--they are to pin fabric tightly to print table
- A silkscreen and squeegee--somewhere around12x18, 16x20, 18x24 / 10xx or 12xx mesh (can be ordered from www.dickblick.com 1.800.447.8192) Squeegee should be about 2” shorter than the narrowest screen width. Ex. for a 16x20 screen the squeegee should be about 14”. If you do not want to invest in a squeegee just yet, Speedball makes an inexpensive 9”squeegee for about $8.00, this would be fine (even if smaller than recommended) Feel free to email Kerr if you have any questions.
- Duct tape for taping screen if not already taped-DON’T get gorilla tape-too hard to use
- Plastic to cover fabric when batching-large black trash bags are perfect.
- At least 5 short rubber spatulas (5” including handle) or tongue depressors or plastic spoons (for stirring dye)
- Scissors-fabric pair and a small sharp pointy pair for paper and “stuff”
- Exacto knife for cutting stencils, textures---you could get by with scissors only
- Foam brushes - at least five 1” and several 2”
- Brushes—a size 12 watercolor brush is good to have-in addition to this, regular paint brushes, watercolor brushes,all sizes (bring whatever you have, don’t go out and buy a bunch.)
- at least 8 containers W/LIDS (8oz yogurt perfect)
- One quart container with lid
- Muffin tin or something to use for palette
- Hairdryer (if you have one)
- Respirator for using discharge paste -should have correct filter for toxic fumes (we will not be doing lots of discharge)
- Some cardboard----all thickness and textures ex. cereal boxes, sketch pad backs, corrugated boxes-we will be using them as printing plates and textures
- Old clothes or apron to protect
- Old towels or roll paper towels—the towels come in handy—try to bring instead of paper towels
- Three to five slides of your work to share
- textural stuff - floor mats, corrugated cardboard, plastic doilies, fat string, rubber stamps, material to make new stamps, embossed wall paper, DON'T go out and buy a bunch of stuff for this-bring what you have--any texture not higher than 1/4” might work
- book to share---can be images, text, whatever inspires you
OPTIONAL
- Wonder under or your favorite paper backed iron on bonding/fusing stuff
- Any equipment/materials that you have and like to use – squeeze bottle, stamps, paint brushes, silk screens with out stencils on them, thermofax screens with images, hot glue gun/glue needle, threads-embellishment materials for embellishment, stitching if desired
SUPPLIES ON HAND
- Small screen/squeegee per student to use during workshop
- Curved tip syringes/extruders @ $1.00 each
- some textures,
stencil materials
Please feel free to email kerr with any questions kerr@kerrgrabowski.com

