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June 13-19, 2027

Sarah Bogdal

An Introduction to Reduction Linocut Printmaking

Learn the reduction linocut process from block prep to carving and printing to editioning. Reduction linocut is a printmaking process that demands commitment, planning, and discomfort. The reduction approach works from a single block: you carve, print, carve more material away, and print again, repeating until all colors for the edition are complete. The choices you make after Layer 1 are irreversible, that’s where the discomfort comes in. We’ll begin with a small practice block—a 2-layer reduction print using a 4” x 4” pre-drawn leaf pattern—to learn the sequence in miniature. For your main project you will select from four design templates of varying complexity and execute a 3-layer reduction print using an 8” x 10” block and a 7-color curated palette of Caligo Safe Wash inks to produce an edition of five prints. The course treats reduction printmaking as a framework for decision-making under constraint. You will learn to work with value, light, positive and negative space, and the sequential logic of a process where planning ahead and the order of choices determines the success of the final result. The week closes with an informal group critique exploring both technical and formal analysis and personal reflection. No prior printmaking experience is required, though students with a background in drawing or basic carving experience will be able to move more quickly.

Housing Options
No Housing Needed
Regular price $1,700.00
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About The Artist

Sarah Bogdal lives and works in Nashville. Her printing practice is shaped by the joy of the process: every linoleum block is a visual puzzle of light, texture, and space. Sarah pulls inspiration from books, music, podcasts, or whatever rabbit hole she has most recently fallen into. Sarah earned her BFA from Watkins College of Art and has exhibited her work in 16 states and art markets across the Southeast. She regularly hosts workshops to recruit others into the cult that is print. Sarah’s goal is for each print to lie just shy of disorienting—visually dense enough to require a second look, rewarding those who let themselves linger.